1月30日，中国国家话剧院与视效科技品牌利亚德集团公司正式签署战略合作协议，双方就数字演艺剧场、文旅项目创新等事宜展开深入座谈，谋划打造戏剧数字化传播新业态。数字化转型网szhzxw.cn
签约仪式前，田沁鑫院长一行参观利亚德集团展厅，并观摩、体验了LED互动体验内球屏、沉浸式3D显示系统、OptiTrack光学动作捕捉系统体验区、VR体验区以及VR影院等项目。数字化转型网szhzxw.cn
据现场介绍，OptiTrack是全球领先的光学动捕产品，多年来为影视动画制作、游戏互动体验、工业模拟仿真等诸多应用场景提供了专业的产品和数据服务解决方案。而据不完全统计，作为业内性价比最高的光学追踪产品，OptiTrack光学动作捕捉系统已经介入到好莱坞69%的影片的拍摄。数字化转型网szhzxw.cn
田沁鑫院长告诉澎湃新闻记者，“我在体验时非常开心。感受最深的是在一个平台上像起飞一样穿越苍茫宇宙、星辰瀚海，仿佛置身于科幻的世界。我想这些高新科技完全可以运用到戏剧演出当中，尤其是数字化的戏剧观看中。随着数字化时代的进步，戏剧除了是人与人之间的观演之外，我们还要更好保留优秀的经典剧目，保留演员们精湛的舞台演出。”数字化转型网szhzxw.cn
签约仪式上，利亚德集团董事长兼总裁李军表示，“期待与中国国家话剧院深化合作，打通资源，推动文旅演艺融合创新，携手打造演艺行业数字化传播新业态。”
中国国家话剧院院长田沁鑫表示，中国国家话剧院早在建党百年文艺演出《伟大征程》与文献话剧《抗战中的文艺》中就与利亚德结下了缘分，未来双方将不断尝试推进“线下演出、线上演播”双演融合模式的深化和成熟，让科技与艺术结合，打破艺术表演的时空壁垒，打破舞台的空间局限，突破戏剧旧有的观演关系，更好地满足人民群众的需求。 数字化转型网szhzxw.cn
巩保江书记说，国家话剧院将持续发挥国家级艺术团体的代表性、示范性和导向性作用，借力数字演艺新技术为戏剧作品传播赋能。
签约仪式后，田沁鑫院长接受了澎湃新闻记者的采访。她回顾道，2010年，自己在创排经典大戏《四世同堂》时，便已经在舞台上使用到LED投屏技术。“我们借助多媒体影像，演绎出老北京四季的变化与更迭。之后的《青蛇》（2013）、《北京法源寺》（2015）中，我们也都使用了多媒体影像技术来丰富舞台表现。”
“2017年，中国国家话剧院和上海戏剧学院合作了话剧《狂飙》。当时，我们运用了八台摄像机做到了‘现场拍摄、瞬时剪辑、即时投屏’，其中还有一段电影化的演出。上海的观众太热情了，演出期间可谓一票难求，很多年轻观众更是多次购票前来看戏。大家都说感受到了艺术和技术结合后崭新的舞台魅力，拥有一种沉浸式的观赏快感。”数字化转型网szhzxw.cn
“说实在的，当时运用这个技术我们还是战战兢兢的。因为不是很成熟，现场没有转播车，也没有切换台，但最终完成效果还是很好的。这是我们第一次规模比较大的尝试。”田沁鑫说。
“此后便是2021年建党百年《伟大征程》文艺演出，我是作为整台晚会的副总导演。”大型演出，又是在国家体育场，如果有戏剧内容的话，该以什么样的面貌呈现？“当时我提出的方案是，在大的左、右两侧的旋转台上增设戏剧表演空间，增设LED屏幕，成为戏剧表演的固定场地。在不影响歌舞场面的前提下，演员们在长度只有15米的转台上进行有剧情的表演。那次的演出规模太大了，现场光是技术保障团队就有200多人。大家经过刻苦攻关，最终在晚会上实现了‘即时拍摄、瞬时导播、实时投屏’。”数字化转型网szhzxw.cn
“再之后就是去年十一国庆期间上演的《抗战中的文艺》。我们这次在国家大剧院戏剧场演出，是全程、无死角地运用LED大屏。通过技术拓展了舞台空间，做出了‘文献资料馆’的环境空间，实现了从来没有过的空间感和结构感。”
翻译：数字化转型网szhzxw.cn
On January 30, China National Theatre and visual technology brand Liard Group signed an official strategic cooperation agreement. The two sides held in-depth discussions on digital performing arts theater, cultural and tourism project innovation and other matters, planning to create a new form of drama digital communication.数字化转型网szhzxw.cn
Before the signing ceremony
Before the signing ceremony, President Tian Qinxin and his delegation visited the exhibition hall of Liard Group, watched and experienced LED interactive experience inner ball screen, immersive 3D display system, OptiTrack optical motion capture system experience area, VR experience area and VR cinema and other projects.
According to the on-site introduction, OptiTrack is the world’s leading optical dynamic arrest product. Over the years, OptiTrack has provided professional products and data service solutions for film and television animation production, game interactive experience, industrial simulation and many other application scenarios. According to incomplete statistics, as the most cost-effective optical tracking product in the industry, OptiTrack optical motion capture system has been involved in the shooting of 69% of Hollywood films.
Tian Qinxin told Thepaper.cn, “I was very happy during the experience. The deepest feeling is on a platform like taking off across the vast universe, the sea of stars, as if in a science fiction world. I think these new technologies can be applied to theater production, especially digital theater viewing. With the progress of the digital age, theater is not only for people to watch, but also for us to preserve the excellent classic plays and the exquisite stage performances of actors.”数字化转型网szhzxw.cn
At the signing ceremony
At the signing ceremony, Li Jun, chairman and president of Liard Group, said. “We look forward to deepening cooperation with China National Theatre, opening up resources, promoting the integration and innovation of culture, tourism and performing arts. And jointly creating a new form of digital communication in the performing arts industry.”数字化转型网szhzxw.cn
Tian Qinxin, president of the National Theatre of China, said that the National Theatre of China had already established a relationship with Liard in the literary performance The Great Journey and the documentary drama Literature and Art in the Anti-Japanese War. In the future, the two sides will continue to try to promote the deepening and maturity of the dual performance integration mode of “offline performance and online performance”. So as to combine science and technology with art and break the time and space barrier of artistic performance. Break the space limitation of the stage, break through the old viewing relationship of the drama, and better meet the needs of the people.
Gong Baojiang said that the National Theatre will continue to play a representative, exemplary and guiding role of national art groups. And make use of new digital performing arts technology to empower the dissemination of drama works.数字化转型网szhzxw.cn
After the signing ceremony
After the signing ceremony, President Tian Qinxin accepted an interview with reporters from The Paper. She recalled that she had already used LED screen technology on stage when she was producing the classic drama Four Generations Under One Roof in 2010. “With the help of multimedia images, we show the changes and changes of the four seasons in old Beijing. After that, in Green Snake (2013) and Fayuan Temple in Beijing (2015). We also used multimedia video technology to enrich the stage performance.”
“In 2017, the National Theatre of China and the Shanghai Theatre Academy collaborated on the play Raging. At that time, we used eight cameras to do ‘live shooting, instant editing, instant screen shots’, including a cinematic performance. The crowds in Shanghai are so enthusiastic that it’s hard to get a ticket during the show. And many young people have bought multiple tickets to see the show. Everyone said that they felt the charm of the new stage combined with art and technology. And had an immersive viewing pleasure.”
“To be honest, we were very nervous about using this technology. Because it is not very mature, there is no broadcast car. There is no switching station, but the final effect is still very good. This is the first time we’ve done it on a larger scale.” Tian Qinxin said.数字化转型网szhzxw.cn
The big show is in the National Stadium. If there is drama content, how should it be presented?
“After that, the Great Journey will be performed for the centenary of the founding of the Party in 2021. I am the deputy chief director of the whole show.” The big show is in the National Stadium. If there is drama content, how should it be presented? “At that time, I proposed to create a theater performance space on the left and right sides of the large rotating stage and add LED screens to make it a permanent venue for theater performances. On the premise of not affecting the song and dance scenes. The actors perform on the turntable which is only 15 meters in length. The scale of the performance was so large that there were more than 200 technical support team members on site alone. After hard work, we finally achieved ‘instant shooting, instantaneous broadcasting and real-time screen projection’ at the party.”数字化转型网szhzxw.cn
“Then there was Literature and Art in the Anti-Japanese War, which was staged during National Day last year. Our performance in the theater of the National Center for the Performing Arts this time, is the use of LED screen in the whole process, without dead ends. Through technology, the stage space is expanded and the environment space of the ‘document library’ is created. Achieving a sense of space and structure that has never been achieved before.”
本文由数字化转型网（www.szhzxw.cn）转载而成，来源：澎湃新闻；编辑/翻译：数字化转型网宁檬树。
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