荷兰的莫瑞特斯博物馆正面临审查，因为它在阿姆斯特丹借出维米尔的《带珍珠的少女》时选择了这幅人工智能复制品。
在提交的大约3480幅作品中，柏林艺术家朱利安·范·迪肯(Julian van Dieken)是五名获奖者之一，他所谓的画作遭到了艺术家和绘画爱好者的强烈反对。他们反对人工智能绘画，称它们不是艺术，范·迪肯的作品取代了那些投入更多时间和精力创作手绘副本的人。
“人工智能提示者不是艺术家，他们的人工智能生成的外壳图像不应该受到艺术界的赞扬。难道博物馆里没人知道人工智能图像是如何产生的吗?人工智能是如何学会创造它们的?***AI图像是抄袭***，你怎么能故意参与其中?太他妈令人失望了，”有人在博物馆的Instagram帖子下评论道。
当被问及对此有何评论时，莫瑞特斯博物馆让Gizmodo查阅了其网站上的一份声明，该声明称他们并不是根据“最美”或“最好”的作品来选择获奖者的。“对我们来说，制造商的出发点一直是受到约翰内斯·维米尔(Johannes Vermeer)举世闻名的画作的启发。这可以在图像或技术上以最多样化的方式呈现。”
“我带珍珠的女孩”活动邀请艺术家们提交他们对维米尔作品的解读，无论是照片、绘画、人工智能图像还是针织致敬，范·迪肯在Instagram上写道:“我不是为比赛创作这幅画，而是为我自己创作的。”他说，他使用了人工智能软件MidJourney和Photoshop来制作《戴珍珠耳环的女孩》的复制品，并说他决定这个方向是因为“现在的技术可以做到”。
戴珍珠的女孩是维米尔最著名的画作之一，虽然女孩的身份仍然未知，但研究人员一直在寻找笔触背后隐藏的细节，以及他为什么会创作这幅年轻女孩的画像。
2020年，研究人员表示，他们已经发现了更多关于瓦米尔的技术和他使用的材料的信息，但项目负责人兼保管人阿比·范德维尔当时告诉《卫报》，“我们仍然不知道这个女孩到底是谁。”她继续说道:“还好有些谜团仍然存在，每个人都可以猜测她。它允许人们对女孩有自己的个人解读;每个人都能从她与你相遇的眼神中感受到自己的联系。”
范·迪肯在他的帖子中说，他不相信这幅标志性的画作可以被任何技术取代或复制，但他写道:“我在人工智能的帮助下创作的这幅画是一种有趣的致敬，因为我喜欢维米尔的作品。”他补充说，“作为一名摄影师，我将永远追求那种细节、情绪和光线质量。”
原文：
A Museum Temporarily Swapped a Masterpiece With AI Art and Chaos Ensued.
The Mauritshuis Museum in the Netherlands is facing scrutiny for selecting an AI copy of Vameer’s Girl with a Pearl painting while it is on loan in Amsterdam.
Of the roughly 3,480 artworks submitted, Berlin-based artist, Julian van Dieken, was one of five winners selected, and whose so-called painting is receiving backlash from artists and lovers of the painting. They argue against AI paintings, saying they are not art and van Dieken’s submission took the place of someone who had put forward more time and effort to create a hand-drawn copy.
“AI prompters are not artists and their AI-generated shell images should not be praised by the artistic community. Does no one at the museum understand how AI images are created? How the AI learns to create them? ***AI images are plagiarism***, how can you knowingly participate in that? So f*cking disappointing,” one person commented on the museum’s Instagram post.
When asked for comment, the Mauritshuis Museum directed Gizmodo to a statement on its website which said they did not choose the winners by looking at what was the “most beautiful” or “best” submission. “For us, the starting point has always been that the maker has been inspired by Johannes Vermeer’s world-famous painting. And that can be in the most diverse ways in image or technique.”
The My Girl with a Pearl initiative invited artists to submit their interpretations of Vermeer’s work.
The My Girl with a Pearl initiative invited artists to submit their interpretations of Vermeer’s work. Whether it be a photo, a drawing, an AI image, or a knitted homage, and van Dieken wrote in an Instagram post, “I didn’t create the image for a contest but for me.” He said he had used the AI software, MidJourney, and Photoshop to create his copy of the Girl with a Pearl Earring and said he decided on that direction because it “is now possible with current technology.”
Girl with a Pearl is one of Vameer’s most famous paintings. And while the identity of the girl remains unknown, researchers are continuously looking for hidden details behind the paint strokes. And why he might have created this portrayal of a young girl.
In 2020, researchers said they had uncovered more information about Vameer’s techniques and the materials he used. But project head and conservator Abbie Vandivere told The Guardian at the time,“We still don’t know exactly who the girl is.” She continued,“It is good that some mysteries remain and everyone can speculate about her. It allows people their own personal interpretation of the girl. Everyone feels their own connection with the way she meets your eyes.”
van Dieken said in his post that he does not believe the iconic painting could ever be replaced. Or replicated with any technology, but wrote, “The image I created with the help of AI was meant as a fun homage, because I love Vermeer’s work.” He added, “As a photographer, I’ll forever chase that kind of detail, mood, and quality of light.”
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